Saskia Douglas

Saskia began fencing at nine to “beat her school bully” and continued training on and off for the next decade in the UK and Europe. She can still wield a sword, if provoked.

She entered motion capture by chance when her sister, a VFX game design student, needed someone to wear “the funny suit.” Saskia’s background in dance and sport quickly led to work on student shorts and technical demos at Centroid and Pinewood.

She studied Dance & Drama at Royal Holloway and Acting at GSA, alongside additional combat training. She began formal training in motion and performance capture shortly before COVID, and continued her professional development during lockdown with online training in voice-over and performance capture.

She later went on to train in Performance Capture, Firearms, and Creature Arm Extension work, and has worked on demos and technical shoots at Centroid as both a performer and camera operator. Her online postings and enthusiasm for performing in games and animation led to her motion capture work on Love, Death & Robots.

Since then, further opportunities have followed, and she ended 2025 working on two major, yet-to-be-announced projects.

Credits

• NDA Game, PCAP Performer
• NDA Game, Mocap Performer
• Love, Death & Robots, Season F***, Screaming of the Tyrannosaur, Mocap Performer
• Short Films associated with the BFI: Wanted, Shadow and Nova
• Touring Lady Macbeth with Fred Theatre
• Polar Bear in Dear Father Christmas at the Oxford Playhouse
• Poltergeist in D0n’T HaUnt M3 BaBII <3
• Bopping Lee Cain Spad in Partygate
• Polydora in Hunter the Parenting Youtube animation series
• Erimem Dr Who Spin off in audio series with Black Glove Studio
• NDA Indie Project for YouTube animation series

Gender

Height

5'8" (172cm)

Body Type

Athletic

Left/Right Handed

Right

Languages

Age Groups

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